Kellie Ann Benz talks to two Canadian filmmakers about their websites and the importance of building your online space.

The National Screen Institute is sprucing up its weekly e-newsletter but we need your help. Please take one minute to complete this quick survey.

We’re shy. We Canadians, I mean. We’re not lacking in pride. We’re a proud nation but we tend to shy away from the showy flashy braggy big-shotty approach like our cousins to the south. We like to think we’re above

Ten directors work on videos for Foo Fighters: a great example of getting your audience involved in your products.

Let’s say you’ve finessed your good idea into a polished script. You’re getting buy-in from people around you. This project looks like it’s going to go ahead. You start thinking cast, keys, location and of course, solving the mystery of

A fresh and new year brings a fresh and new list of festivals programming Canada’s short films. You’d think. I know we’re all excited by this new decade and so let me be the first to throw out the challenge

I had a delicious mocha break recently with a TV executive who told me that they’re looking at web series to develop, as web series. While it might look like the world of entertainment is changing, surprisingly it’s not. Well

Simon Pulman, a Manhattan based transmedia producer, has written a great guest post on Jon Reiss‘ blog looking at transmedia for low-budget filmmakers. In the post Simon says, “My suggestion is that filmmakers considering the production of a low-budget feature

Film marketing guru Sheri Candler has written an interesting piece on her blog about crowdfunding mistakes. It’s a must-read for filmmakers and other users of crowdfunding. Sheri begins her post … “I am prompted to write this post because I