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Our most recent course information is listed below for reference only. Please note this information is subject to change.
Call (204) 956-7800 or (800) 952-9307 or email: email@example.com
There is a $100 non-refundable fee per application. Payment is processed through PayPal only.
$1,500 per selected participant. Due one week after acceptance into the course.
What does NSI Features First offer?
NSI Features First is a development training launch pad for producer and writer teams looking to produce their first or second feature film with strong commercial appeal. It is NOT necessary to have a director attached to the project.
During the course you will:
- work with an experienced story editor to polish your script
- hear firsthand how a feature film comes together from development, to pitch, to production, to release
- get the latest in market intelligence from distributors and broadcasters and find out where your film fits into the marketplace
- receive a cash award to put towards additional story editing and additional development costs
- meet your potential financing partners and learn more about banks, agencies, funds, private investors and tax credits
- have the chance to attend the Toronto International Film Festival for an opportunity to pitch your feature to distributors, executive producers, financiers and broadcasters
- explore the world of social media marketing to find out how it can extend your personal brand, generate buzz for your film, help fundraise and expand your audience.
What is the course format?
NSI Features First is comprised of two phases:
Phase one – intensive five-day training session – Toronto (January 25-29, 2016)
Phase one training will focus on story analysis, pitching and marketability from the distributor and broadcaster perspective.
Teams return home after phase one and work to incorporate story notes and feedback received during the training session. In order to be considered for phase two, teams will submit (including but not limited to) a new draft, executive producer mentor choices, summary of creative changes and an innovative marketing plan.
Only projects that have advanced creatively and demonstrate an understanding of where they fit in the marketplace, how they might get financed, how much they will cost to produce, etc., will be eligible to take part in phase two.
Phase two – producers – week-long training session – Toronto (March 21-25, 2016)
Phase two focuses on the business of producing. You’ll learn about script clearances, insurance, bonds, alternate financing scenarios, music rights acquisition and more. Writers will spend a day with a story editing expert and have a table read of their script.
Phase two – writers – (up to) week-long training session – (April/May 2016)
Exact dates and location TBD
Writers will attend the Toronto Screenwriters Conference (April 2016) and work with story editing expert Linda Seger.
Teams will receive award money for approved phase two development costs to further project and team development. Eligible costs may include story editors, one-sheets, business cards, legal, specific festival attendance or workshops.
Producers return home following training and put their new-found knowledge to the test. Phase two homework, includes (among other items) a development plan and budget for the award money, as well as a strategy for your possible TIFF attendance.
The program manager and advisor will choose two teams to receive free conference passes to the 2016 Toronto International Film Festival. Airfare and accommodations will be covered if applicable.
What do I have to commit to the course?
You must make considerable time available for the course. While project and professional development plans will be created with maximum flexibility both training sessions take place during the day.
Attendance at the week-long training session in Toronto in early 2016 is mandatory for all phase one participants. Attendance at the phase two training week in spring 2016 is mandatory.
Who can apply?
This course is aimed at producer/writer teams wishing to develop and produce their first or second feature film with strong commercial appeal. Writers can also be the director, however there will be no director training.
You cannot apply as both the producer and writer.
If there are two writers attached to the project, only one writer’s costs will be covered by the course. The second writer may attend the training, but all costs associated with their participation must be covered by the team.
Additionally, you must convince the selection committee that creative development of the project would suffer if the co-writer was not in attendance. Failure to include a letter in reference to the above will result in the co-writer’s absence from consideration.
Preference will be given to strong creative teams who are passionate and invested in the creative development of the project and demonstrate the team has sufficient craft and technical experience to realistically be considered capable of producing a feature film.
You may submit more than one application but you must provide a complete separate application along with an additional $100 application fee.
In order to be eligible applicants must:
- not have more than one produced feature film credit in the position for which you are applying (as a writer or producer, which includes producer, co-producer, executive producer etc.)
- demonstrate you are a strong team. Your project will be ineligible if team members identified on the application form change at any point after selection.
- maintain creative and financial control over the project as well as technical ownership. This includes ownership of, or option on, all underlying rights (if any). NSI reserves the right to disqualify any team that does not fully own the rights in and to the project (except for such approvals as are customary in the industry from distributors, financiers, investors, etc.).
- have determined ownership and decision-making control between themselves. Must identify which team member officially owns the project.
- be a Canadian citizen or landed immigrant and be over the age of 18.
- have a production company located in Canada.
- not be a participant in any other training course that would conflict with your ability to commit to the NSI Features First course.
- not be currently enrolled in any full-time school or university program.
- have production or craft experience, or business affairs/legal experience, or marketing/distribution experience, or some combination of the above. Producers only
If you feel you would benefit from the course despite your experience level (lack of, or wealth of), please include a letter explaining why the selection committee should consider you for the course. This letter is in addition to the deliverable ‘letter of expectation.’
Can inter-provincial teams apply?
Yes, however teams must be able to demonstrate how they will overcome physical distance barriers as they proceed with their final stage of development and production planning.
Are international and inter-provincial co-productions eligible?
Yes, if a project plans to raise financing by co-producing with a production company in another country and/or another province, the project will still be eligible for NSI Features First.
Co-production projects will be assessed in the spirit of the course, which is to support the development of Canadian writers and producers making their first or second feature film.
Can I apply with more than one proposal per year? Can I resubmit a proposal?
Yes, provided you complete a separate application form along with an additional $100 application fee.
You may apply twice with the same project within a three year period.
Which projects are eligible?
- Projects will be selected based on their creative and commercial potential.
- Scripts must be advanced to at least second draft stage to be assessed for production potential.
- Projects must be feature length (80 to 125 pages long), have commercial appeal and be intended for theatrical release.
- Projects must be narrative (experimental and documentary films are not eligible).
- Projects can be completed on any medium provided it can be projected theatrically and meets standard broadcast requirements.
- Theme and subject matter are up to the applicants. NSI will not accept any project that contains excessive violence, sexual violence or sexual exploitation.
How do I apply?
Only complete applications will be considered. This means you must fill out all required sections of the application form and must include all the documents listed below as one PDF.
Your application will be disqualified if any of the sections are incomplete or missing. A check list has been provided for your use on the application form.
- Synopsis: a one-paragraph pitch summary.
- Second draft script: projected running time must be feature length.
- Script notes: writer’s notes on your proposed plan for subsequent drafts.
- Preliminary development plan: provide a list of activities/tasks you feel are needed to get your project into shape to take to the marketplace.
- Preliminary marketing plan: demonstrate a clear idea of the film’s target audience and your understanding of its market potential.
- Proposed production budget: top sheet only. NOTE: if selected, a full, detailed budget will be required.
- Proposed financing structure: your proposed sources of revenue for financing the project.
- Chain of title documentation: e.g. option agreement, transfer of rights agreement, and/or publisher’s agreement. Please include a writer’s agreement regarding underlying rights acquisition (if any) and screenplay. The option agreement must include proof of ownership.
- Resume for each applicant clearly stating production experience: include your role on the production and the following information about each project: the writer/producer/director, genre, if it was a student film, final running time, any broadcasts/theatrical release/festivals played, is it in development, production, post or completed.
- Letter of expectation from each team member: a paragraph from each team member describing what you hope to gain by participating in NSI Features First.
- Letter of reference for each team member: this should help identify why the person writing the letter feels you are ready to take the step up to feature length production.
- Description of formal relationship between team members: outline ownership and decision-making control between yourselves. Have you incorporated a company? How long have you known each other? Have you worked together before? How confident are you that you can work together on this feature?
- Evidence of development funding to date (if applicable): if you have previous or current development funding from other sources, please submit copies of their commitment letters. If you have interest from an executive producer, please explain.
- Additional letters (if applicable): required for applicants needing to demonstrate their suitability to participate in the course because they don’t meet eligibility criteria. Also required for teams wishing to apply with more than one writer.
- $100 non-refundable entry fee: each team must submit a $100 application fee. Payment is processed through PayPal.
How will teams be selected?
Projects will be selected based on the strength of their creative and commercial appeal. Both the project and team must be suitable for the course (it is possible to have a good project but a team who is not yet ready to produce a feature film, or a great team with the wrong project.)
- All applications will be assessed for eligibility and completeness. Incomplete applications will be rejected
- The NSI Features First manager and advisor will read each proposal and create a short list
- Based upon the strength of the script, team members and support documentation, the jury will select up to four teams to participate in NSI Features First 2016.
When will we know if we’ve been selected?
Shortlisted applicants will be notified via email in November 2015. Final selection of teams will be complete by early December 2015. Tuition will be required one week following notification of acceptance into the course in order to hold your spot.
Who is the NSI Features First manager?
As manager of programs and development, Shelly runs the NSI Totally Television and NSI Features First courses.
Shelly comes to NSI from Frantic Films where she was assistant to the CEO & executive producer. More recently, she had a hand in TV development from show creation to research with a special love for casting.
She has extensive knowledge of the film and television industry on a national level, great connections and is enormously passionate about Canadian productions.
When she was cast as an extra in the Canadian classic Meatballs, she knew film and TV was the industry she wanted to work in. She went on to study broadcasting and worked as a reader and book reviewer and brings those skills and enthusiasm to her current position.
Who is the NSI Features First advisor?
Melissa Kajpust is Super Channel’s head of creative development and outreach, directing a team of development executives and fulfilling the effective disbursement of the Super Channel Development Fund.
Previously, Melissa was director of programming for the National Screen Institute where she was accountable for the delivery of all training programs and ran the Movie Central Script to Screen program.
Melissa is a sought-after story editor, industry juror and workshop facilitator.
In 2013 Melissa was honoured to co-receive the YWCA Women of Distinction Circle of Inspiration award for her contribution to the NSI New Voices course.
Melissa is an award-winning screenwriter, author and playwright. She has written and developed programs for CTV, W, Slice, A-Channel, APTN, Treehouse, Citytv, YTV and Movie Central. Her two children’s books, A Dozen Silk Diapers and The Peacock’s Pride were published by Disney’s Hyperion Books for Children.
Her first feature film, Steel, a German/Canadian co-production, was produced in 2014.
Melissa is a graduate of the Canadian Film Centre.
What are the exact dates of the course?
NSI Features First is a 10-month training course. The week-long, phase one training session takes place in Toronto from January 25 to 29, 2016.
Teams that successfully move on to phase two will attend a second (up to) week-long training session in April/May 2016. Exact dates and locations will be determined once the final teams are chosen. The Toronto International Film Festival takes place in September 2016.
What rights does NSI have on the project?
All copyright in the project remains with the applicants. NSI reserves the sole right to disqualify any team that does not fully own the rights in and to the project.
NSI and its sponsors will retain the right to exhibit and/or stream (non-commercially) completed productions for promotional purposes and will use best efforts to notify the producer of any such screening prior to its occurrence.
NSI and NSI Features First investors require a tail credit on all copies of the film as well as a prominent credit on all publicity and promotional materials developed with respect to the project.
A contract will be signed with each team outlining the commitments and responsibilities of the team and NSI under the course.
We have financing/deals lined up – how does that affect our application?
Applications that can demonstrate deals already made by the marketplace is clearly a viable project, however this does not guarantee it will be selected for the course.
All creative and financial controls must still remain with the team (except for such approvals as are customary in the industry from distributors, financiers, investors, etc.).
What financial assistance will I receive?
Phase one teams will have their airfare and accommodations covered (if applicable) while they are in Toronto for the training session. Phase two teams will have their airfare and accommodations covered (if applicable) for the second training session and receive a cash award to help offset approved development costs.
Two teams will be selected to receive a free conference pass (and applicable airfare and accommodations) to the 2016 Toronto International Film Festival.
What is the relationship between NSI and the applicant?
The relationship between the applicant and NSI shall not be deemed to constitute a partnership or joint venture. The applicant shall not have the right to incur any debts nor make any commitment of or on behalf of NSI.
Can I submit my application by fax or email?
No. All applications must be provided using the online form.
I have more questions. Who do I contact?
Email your questions to firstname.lastname@example.org or call us at (800) 952-9307.
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NSI Features First 2014 was funded by Presenting Sponsor Telefilm Canada; Program Partners The Brian Linehan Charitable Foundation and Shaw Media; Supporting Sponsors Corus Entertainment, Entertainment One, and Super Channel; and Industry Partner The Academy of Canadian Cinema and Television (ACCT).